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- [voiceover] previously,on escape the night. to recover the second artifact, we had to commune with the dead. - i am here. - [voiceover] unearth a coffin and bury one of the group alive. - i've had enough of this. - what'll we do now? - it won't be muchlonger, children.
i promise. i am a perfectionist henry,of the most sincere type. and what i'm doingtonight will make this ugly world a little morerefined and dignified. oh they are so lovely. it is hard to imagine thatthey could be improved upon. but i will try. ugh. this is how a perfectact can last forever.
- your heart holds no equal. - you should see what i've done with the decorations upstairs. (suspenseful music) - guys, i mean, we'vejust killed justine. we buried her alive. - we buried justine,but you were acting like you were just sosad and i just don't believe that youwere really so sad.
i didn't buy theact at all joey. - you didn't buy the act? - no not at all you were,aw, you know, this my friend. - she was my friend. - i don't believe that. i don't believe it at all. - you know my intuitionnow is telling me that joey has gotto be in on this. - what is wrong with you?
- we can argue aboutthis as much as possible and accuseeveryone but-- - no i'm justaccusing him, joey. - why are you accusing me? - no words fromyou joey, i don't want to hear anything from you. - she's being so-- - dat dat dat da. - [matthew] can we justfigure out the box?
- okay, let'sfigure out the box. - we have killed somany people already. - technically we'veonly killed two. - well, there's three dead. i just buried one of my friendsalive in his grave and now we have really nothing to show for it except forthis black box. my only question is whatis going on in here? - i have no idea.
- it's just a piece of wood. literally nothing in it. - i've gone throughso much tonight. i just want to smash something. i want to get myanger out so i pick this block up, smashit on the table. - [glozell] oh, oh my god. - [oli] inside the cube wasthis paper that said idle. - [joey] idle?
- [oli] idle? - idle? - [glozell] idol? like a singing competition. i justine is gone. - no, that's i-d-o-l,this is i-d-l-e. - oh. - so, maybe we need toturn something off of idle? - is there letters on the--
- well maybe we need to turn it back on so it's up and running. it might be idle right now. - or maybe they'rejust letters to a code. - let's just kill somebody. - all right. i still think this peacockflower is gonna come in handy. - [joey] wait wait waitwait wait wait wait. - what is this, mean anything?
- [woman on left] letters become numbers and numbers,that's weird. - i'm not reallysure what this means. - [glozell] lettersbecome numbers and numbers become letters. - the time is stoppedbecause it's idle. the time is idle. - joey you are a genius. - or he could be the demon.
- or he knew. - there are so manyknobs, what are those? - [glozell] can you puteach hand on a letter? - the clock itselfactually had four hands. so that meanti-d-l-e, four letters, clock four hands, and itclicks all of a sudden. well let's countit in the alphabet. what's, i is? a b c d e f g h i, i is nine.
- yeah and we have four hands. - so set it to that time. d is four, and then l istwelve, and then e is five. so four and five. - oh what did you do? - [glozell] oh lord ithink i peed on myself. - [matthew] we need a key now? - we're looking at thiskeyhole but no one has a key. so where is this key?
- [sierra] what's on the ground? did something fall? what's that? - staircase. - we should go outthere and look. - yeah let's go look right nowand see if there is anythingdifferent. - [tim] hey waitwait wait, sierra. - [sierra] what? - [tim] look, what's that.
- and all of asudden tim grabs me. and i'm like, tim what areyou doing, don't talk to me. like, why are youtalking to me tim? - i don't know ifi'm tripping or not, but i feel like isee a car outside. look, look right there. there's a car right there. all i'm thinking is, here'smy chance to get out of here. maybe we should check it out.
- i don't think weshould separate. it's never a good idea toseparate, i'm just saying. - i mean, let's letthem look for the key and then we just gocheck it out real quick. - so the group kind ofbreaks off and then tim kind of lures meoutside, kind of sketchy. - let's go check it out. - [sierra] i don'tknow why he chose me. ugh, god.
- i'm still a little paranoid so i grab sierra to come with me. i trust sierra andshe's kinda cute. - we have thisphoto of the foyer so we went out to the foyer and we compared what the photo wasand how it actually looked. - [matthew] come on, can isee the picture real quickly? - maybe we can feel for like,trap doors of something. - [lele] it's so black.
i mean, why is this? - i couldn't seeanything, but joey did. - [joey] i've been lookingat it long and hard. - [lele] there's no, oh my god. - and inside was the key. - he must know morethan what he's leading on to. - [eva] i'm scared, idon't want to do this. - [in unison] oh no, oh my gosh. - what the hell?
- there's a secret room? i can't believe that i'mactually looking into a room that i had no ideaexisted previously and i've been inthis room all night. - [glozell] aha, oh oh. - oh my god. - sketchy mannequins. sketchy mannequins everywhere. - [matthew] whathappened to tim?
- [joey] what? - [glozell] tim? tim is with thatother chick, sierra. - first it was shaneand ava wondering off and now sierra and tim. what are they doing? are they with the evil? - i just feel likemaybe, maybe-- - don't get too closeit might explode.
- what if this is like the keyto getting us home right now? oh shit. - it's locked, areyou kidding me? - oh, okay here we go. - [sierra] open it, open it. what the hell. do we get in? like, we can't leave them. - do you really like them?
- i like some of them. - here just get in,just get in real quick. - ow, my crown. - be careful, careful. - [matthew] wehave another clue. my dear employer, how grateful i am for your generosityin seeking out my work. this place isalmost complete and i will be callingit dinner for five.
i'm sure with somecareful examination you will see how tofinalize the details. - whoever this calvin guyis, he's sick in the head. - obviously he's gottime on his hands. - the need inside me requiresthat i feed it regularly. do we have to feedthe mannequins? - it says somethinginside right? do you think thatsomething is in here? - [joey] you couldgive it a peek.
- [oli] yes. - [joey] ew, what is that. - [matthew] . good idea. is that a thumb? - [eva] ew, oli-- - ugh. - yeah, i'm never gonnaeat cherry pie again. - is it a mannequinthumb or a human thumb? - [oli] it's amannequin's thumb.
- [ava] is he missing a thumb? - is he missing a thumb? - [ava] check hishand, i bet he is. - [oli] no he's not. - [matthew] maybeit's not a thumb. - or a toe, a toe. - [oli] a big toe. - [ava] a toe. - [matthew] take the shoes off.
- [lele] no i'm not taking, no. - is there like asymbol here somewhere? or uh, glove compartment.- [sierra] glove compartment. wait. - [tim] oh. - slow down, wait. - oh it's the symbol. - wait, what does this mean? - wait, what is all this stuff?
- [sierra] what is all this? - [tim] who is this guy? he's creepy looking. - we find a notethat says slow down. - [tim] slow down. - [sierra] oh my god. - [tim] what does that mean? - [sierra] i don't know. slow down?
- i'm thinking slowdown, in a car, i start pumping the brakes. that doesn't work. but i'm reaching arounddown there and i find a key. - [tim] yo. - [sierra] i don'tthink it's gonna work. - it has to, it'spart of the clue. well maybe there'sa clue in the trunk. - i'm scared, i don'twant to look in the trunk.
- i found it,found it, found it. i thought my wifewas a saint and then calvin showed methe hole in her soul before i pried alung from her chest. - oh my goodness. inside the mom's chesticlesthere is a hole and a note. like, who does that? this calvin guy isdemented and sick. i hope i never meet him.
- mothers should knowwhat's in a child's head. then he cut one open to show me. i can never look atmy children again. - take her hair off. okay wait, repeat it again. - wait, this is open. was this always open? - [lele] no. - [oli] look inside.
- [joey] there's a picture. - [ava] oh no, a family maybe? - [glozell] let me see. - [joey] there's five there. - [lele] it's a girl. - then where is she? - oh, whoa, shit. - [sierra] is thatactually the girl? - [tim] no.
it's like, a mannequin lady. all right. we should tell the others. i'm gonna grab her. why? - so they believe us. - oh my god, are you serious? - [tim] yeah. - we're at a dead end.
we have no other clues. and then tim andsierra come running in and there it is. there is the fifth mannequinthat we're missing. - [tim] we foundsome crazy shit. - [oli] yeah we foundsome crazy shit. - we've been lookingfor the girl. - she was tied upin the car outside. - so the note says, all mylife i wanted to go to a dance.
nothing fancy, i justwanted a boy to ask me. then calvin came along. only it turns out dancing isn'twhat he had in mind at all. - okay, calvin is some sort of psychopath who setthis whole room up. that's who calvin is. okay, so wait, whatdo we have to do? - we realized, likewe need to put her at the dinner table sothat we can complete
calvin's vision and havethe dinner for five. - everyone at the dinner tableis in the wrong position. so we start to move theminto the right position. - she looks like thegrudge or something. - [matthew] wait,what's on her face. - [joey] look at hereshe's, oh my god, no. - all right, let's focus up. do we have the picture correct? - [sierra] it's right.
- [matthew] is it inthe correct order? - another clue, guys. my employer, i have hiddenthe artifact given to me as you requested in my new art installation onthe second floor. i'm afraid it canonly be experienced with two guestsselected by a vote. they should be prepared to play. - perverse games.
- i mean, everything'salready been perverted and twistedso i'm think that it's going to a whole 'notherlevel of gross and sickening. - every time we votesomething bad happens, man. - [glozell] and we finallygot dessert with a toe in it. - ladies and gentlemen,we've decided to put it to a vote to see who will go upstairs andplay a perverse game. - i'm thinking of like,the most perverted person
i can think of andi'm like, lele. - i don't mind perverse games. i don't mind them. - are these games gonna be fun? - [matthew] fourguys, four girls. - [sierra] wait, what? - [oli] i'm gonna stay here. - matt has been acting strange. - lele is killing people off.
she needs to go away. - i am down. - everyone is putting lele into play the perverse games. maybe i should put myselfin so i can play with lele and like, because she's hot. - i don't trust her. i know she doesn't trustme, but she needs to go. - they're talking crapabout us right now. - [oli] ava do somedetective work.
- she got, what shegot coming to her. she's got ava over here tryingto sneak around with it. - she's gonna fall behind. let's go, knuckle bumps. - lele. you may go first. - matt. - ooh. - [matthew] that's fine.
- i hope that you'restill not thinking-- - it's your house. you have to knowwhat your servants-- - remember what i said? - who you getting loud with? - because i've already toldyou i don't own this house. glozell keeps comingat me with this accusation that i have something to do with everythingthat's going on
and i'm honestly gettingsick and tired of it. just to squash this right now, do you all blame me foreverything that's going on? - [glozell] yes.- [matthew] no, not a chance. - so it's just you? you're the only that thinksthat i am at fault for all this. - glozell is acting likeshe knows something. and when a soulful woman knows something, sheprobably is right.
- joey, it's your turn. - you better not write my name. - well, somebody is workingwith the evil, i think it's her. i've said it from the start. - you know i can'twait to see you die. - i understand. - it's joey. - what? - who put me in there?
- ahh, sorry boo. again? - then all i cando is hope that she is the one that diesthroughout this process. - joey and lele, if i canhave you both come with me. - [matthew] good luck joey. - [glozell] bye lele. - [butler] please come this way. - [oli] who voted for joey?
- oh my god, itwas her wasn't it? - [glozell] i voted for joey. - have fun. - what the? - i'm expecting, youknow, male strippers and i come in and it'sjust these mannequins. not even alive and i don'thave to talk to them. i don't know, it's just weird. - wait, there's aclue right here.
- [in unison] startthe part with a spin - [joey] of the bottle, and swap spit with your plastic friends. kiss them enough andyou will get a number - [in unison] fromunder the door. - i think we're about tohave orgy, with mannequins. - the last time i playedspin the bottle was when i was like,eighth grade and we wanted to get ourfirst kiss over with.
so you have to kiss her? - you have to kiss her. - i have to kiss her. so i turned lesbian, basically. and i just started makingout with this girl. i have to like, tongue kiss it? - give her a good old kiss. - okay, okay, okay. - lele is justlike, going for it.
oh my god. okay, okay, allright, all right. - it's literally the first timemaking out with a mannequin. but i think i'mpretty good at it. - ah. - no yeah, i'm nota mannequin though. - okay. - did it say that ithas to be a mannequin? - i don't know.
- yeah, it said that. - do you want me to read it? - someone doesn'twant to kiss me. - no i, i'm just sayingthat it said a mannequin. - oh sure, okay. - no i'm not kidding. - that's fine i'll spin again. okay fine, i'll kiss her. that was very nice.
- [in unison] four. - what does that mean? - [lele] i don't know. - if we wanna get out of here, we want to get another artifact, the one person we shouldsacrifice is lele. - you just don't like her. i'll be surprised ifshe doesn't come back. i'll be really shocked.
- or maybe he likes her. - yeah, the stockholm. - one of you move to the bed and complete the menage a trois. count to ten whilegiving it all you can. - [lele] what is menage a trois? - a threesome. - okay, good luck. - that's all you girl.
take your coat off. come on, you needto get into it. - joey is enjoyingthis too much. - aw. - i literally tried to avoidbeing with both of them so i just like, startedtouching the boy mannequin and then just started makingout with the girl mannequin. it was just really weird. - five, six, seven,eight, nine, ten.
okay. number seven. - yes. okay, now you're next. - it's his house. he had to know what's going on. so i picked him. sorry. - it seems odd.
like, why wouldyou invite a bunch of people overhere if you didn't know anything about the house? - i've heard it's true. - so it's like, he's not dying. maybe he's justgetting, like you know, hit with some ghost dicks. - the next one is thenfind the lone woman leaning on the chair who coulduse some help from behind.
bang away until, no. no. so, uh, the lastthing is i have to get behind a mannequinand basically, uh. woo-hoo. yeah, all righty cowboy. how long do i haveto do this for? - until the finalnumber appears. - [joey] come on.
- i'll wait. - okay, woo. yeah. - joey is going for it. he's just banging the girli guess as if he was never gay. - okay, knock knock, thank god. - two. - wait is that a lock? oh there's a lock here.
which one did we get first? - [lele] four, seven, two. - four, seven, two, okay. what is in there? what is this? this is a murder journal. the person's name youwrite on the next page will die in a horrible death. what?
now i'm just like,freaking out because lele and i have to decidewho's gonna die next. - i know you'refriends with matt, but i honestly thinkmatt should die. - but he helps us. - he wants me dead, okay. okay this is about survival. he wants me dead. so either way hewants me dead and he's
gonna do whatever heneeds to get me dead. - okay, listen. after this i feellike we're so bonded i will vouch for youthat you're good. and i'll make sure thatmatt never votes for you. - all right, all right. you know what, i'm not gonnahave blood on my hands. - you know who i think? - [lele] wait, who?
- glozell. - glozell? - [joey] yeah. - why? - i bet you she's the onewho put me in this room. she wants me dead. - let's spin thebottle and whichever gets it we willjust put that name-- - no, i don't want to.
lele really wants towrite matt's name down but i have to take itinto my own hands, so. i'm sorry i'mputting glozell down. - well it is your house, so. - it's not my house. oh god. it was either her or me. - she wouldn't evenlet me play the game. and guess what?
we didn't get thekey, shane got it. - [ava] oh no, oh no. ah, no, no, oh my god. - [lele] oh my god. - [tim] glozell are you okay? - [oli] i need help. - [ava] oh my god. - she's twerk dying. - i don't want them to know that
we put her name in the book. - just say that weunlocked something and then it just said thatone of them was gonna die. - [ava] oh no, she's dead. - oh my god, holy crap. yes, it's another artifiact. - [lele] okay. - are you okay? she's dead.
- now don't say anything. - i won't say anything. - promise? - i know. - you guys, glozell's died. - it was exactly likehappened with shane. she choked. - [matthew] but longer. - i have no idea why glozellis dead and they are alive.
you guys have the artifact. - we got the artifact. - [sierra] what happened? - wait, what happened upstairs with the perverse games,what did you guys do? - there was mannequins. we had to do thingsthat i don't-- - [lele] yeah, itwas perverted, so. - no look, they gotanother artifact
so someone else had to die. - it's my party and i cankill whoever i want to. - you went upstairs andyour name was called because glozell put youup there, so glozell died. - she put my name in there? - [ava] yes. - that is very true. - all i'm saying is,glozell voted for you-- - [lele] we were playingspin the bottle and kissing
mannequins so i don't thinkwe were focusing on who-- - exactly. - [lele] we wanted to kill. - listen i, to behonest with you, i don't want tohear anything that you have to say because everysingle time that you're-- - matt, no she's good. - every single time thatshe goes to play a game or goes in the hatshe doesn't die.
this implicates so muchof what i've already been trying to explainto everybody else. lele has everything to do with all the deaths that'sgoing on in this house. she's working withthe evil spirit. - okay you knowwhat, let's just, you know what, it'sthe truth, okay. we thought, joey wantedher to die, and that's it. - it's the truth.
i can't say anythingbecause you know what, i'm tired of himblaming it on me. - [matthew] you voted for her? - we had to vote forsomeone, so anyone. everybody, i don'tknow who would die. - but you don't understand the conversation that wehad out in the foyer. - no, listen. there was a journal, adeath journal upstairs
and whatever name weput in the journal died. - glozell was going in at joey and now joey's killed glozell. - yeah, definitely havemy eye on joey right now. - so you went up there withjoey and got here killed. - actually it waseither you or her. and he saved you. - [tim] oh, okay. - he saved you soshut up and sit down.
- well in thatcase, thanks guys. - let's just take the artifact, let's bring it over there, and let's get the hell out of here. - so it sucksglozell is dead but at least we haveour third artifact. one step closer togetting home to my cat. - only one artifact left. (deep roar)
- [in unison] what was that? - [ava] it soundedlike an animal. - the evil of this house knows someone is tryingto imprison it. it's unleashed its guardian to make sure that doesn't happen. - what guardian?
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